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Stained Glass

 


"...the art you can make is irrevocably bound to the times and places of your life."

- Art & Fear - Observations On The Perils (and Rewards) of Artmaking, David Bayles & Ted Orland p. 52

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Stained Glass

Patience is a wonderful quality. I took my first stained glass class in 1974. I even had hair then. In 2007 I took another class. Even though I was only able to attend three of the eight sessions...oops...and have been designing and creating pieces ever since.

Granada Treehouse Studio Art Installation

Many of our projects grow out of spaces that scream for attention. In the case of this art installation, we wanted to have a show case for our poetry, art, quotes, and events. Of course, it had to have stained glass as a component, but it also needed the talents of our dear friend and fellow collaborator, Ryan Turner. The timing worked out and Ryan was looking to have a little fun. As he said, it's really only four pieces that make the frame...with many possibilities. When I went to drop off the glass, he was already pondering which direction to take. He offered several material options, but had his eye on some eucalyptus trunks and branches by his workshop. It turns out that the eucalyptus is a perfect choice for multiple reasons, it represents the origin of the name, look, and feel of the Granada Treehouse Studio; the image in the glass represents the eucalyptus grove in the canyon behind our home; and eucalyptus provides a natural material to compliment the surroundings. I have to say, this could be one of my favorite pieces so far...at least until the next project. Stop by and share in the beauty of the treehouse and South Park.


Shabbat in Three-Part Harmony - September 14 - November 23, 2016

We've been honored by having one our pieces selected for "Revisiting Shabbat" at the Gotthelf Art Gallery.

For our family, Shabbat represents a gathering full of light, family, and friends, where we engage in creative energy, hopeful conversation, humor, compassion, delicious food, and sincere reflection–shared freely. Where we honor the end of a week, just as we embrace the cycle of life.

To address the theme of Shabbat, we created a set of three triptych panels to represent the passing on of our traditions, l'dor vador, to keep them alive.

Each panel represents a generation. The red and amber symbolize the vibrancy of youth. The transition from amber to greens and blues shows growing into adulthood where we take on more obligations and responsibilities, and the final transition to deep blues and purples holds the grace of age, wisdom, and intelligence.

The panels also show how constantly changing and unexpected reflections and interactions among the generations yield beautiful results, lives that tell worthy stories shared at our Shabbat table.



Ode to Priest Lake

Melissa has been going to Priest Lake in Northern Idaho with her family since circa 1974. Lots of memories with family and friends. This stained glass piece was created as a 54th wedding anniversary gift for Melissa's parents, Julia and Scott. The piece was modeled after a crayon drawing I made while sitting on their dock overlooking the lake in 2008. It could be one of the most beautiful places I have ever visited.




Deconstruct to Reconstruct

Finished on July 30, 2015 which marked the fourth yahrzeit of Cele Estrin Kipperman. Among Jews, this is the anniversary of someone's death, especially a parent's. Every time I see this piece I will think of all that Cele and Lew shared with me.


Color Chains

An on-going series of stained glass "color-chains", was stimulated by staying in bed a little longer to contemplate

the beauty of a rain-soaked morning. Not all who take their time are lazy.




Canyon Window

Inspired by the ketubah frame and how it added a fillip of style and sentiment to our canyon view, we wanted to replace it with a permanent piece. I decided to stretch my design to make it a little more abstract, but borrowed a variation of the color treatment from the studio bathroom doors and the open spaces of the Bougainvillea. Still working and still loving the process, not to mention loving my muse, Melissa.




Wedding Ketubah

For our wedding, we wanted to create a frame for our ketubah, a Jewish wedding contract, of course, stained glass was the natural medium for the frame. During the ceremony we hung the frame behind the chupah, wedding canopy, overlooking the canyon behind our home. We are going to insert the actual signed ketubah in the panel and then hang the framed piece in our dining room as a reminder of our beautiful partnership.



Melissa McKinstry and Doug Kipperman’s
Glowing Ketubah

21 December 2014 – 29 Keslev 5775

Our Eden of dappled light holds
elms stretching generous arms
pomegranates marking time
bougainvillea housing birdsong
hummingbirds and butterflies circling flowers
friends and family circling tables–
dancing and cooking in the kitchen.

Living here we’ve stopped longing–
for this is the whole O of the world.

So today, the shortest day of the year,
as the sun moves in its southernmost arc
and silhouettes the eucalyptus,
we banish darkness with light:

the flicker of the Hannukah candles
the glow of the fingernail moon
the warmth of one hand in another.

Our home will continue to be a place
filled with light:

creative energy, hopeful conversation,
humor, and compassion–

shared freely.


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Studio Glass

We have been working on our studio and found a few opportunities for glass. Of course, when all you know how to work with is a hammer [stained glass], everything is a nail [stained glass].



Hallelujah chorus triptych over the studio doors that open onto the side yard.

Studio bathroom doors

Color spectrum triptych in over workbench in the studio


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Reading Room/Library

Melissa loves reading. Melissa and I love honoring our families by living amongst their heirlooms. She received several boxes of books that belonged to Pa, her maternal grandfather, and felt his legacy needed an appropriate place to reside. Hence, the small sunroom became the reading room and library. We were delighted to have some bookshelves built, and of course, they needed stained glass inserts. Melissa and I both love sitting in this room to ease into a morning or to capture the last bit of sun in the afternoon.

 


"I discovered me in the library.
I went to find me in the library."
- Ray Bradbury



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Thresholds

One of the first projects we started was the front door. The piece on the lower left was the prototype and it was going to go outside by the entrance to the yard. When I finished the piece, I loved it too much and had Ryan create a frame so we could install it between the living and dining rooms. I have to say, it is my favorite piece of all. Of course, I have more work to do...





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Bougainvillea

The bougainvillea is one of my favorite pieces, because there is space between the colored glass and the background shows through. We have two in our bedroom looking out at a mature bougainvillea and we love the view.

Garden bougainvillea glass

Bougainvillea with a combination of lead, copper, and open sections located in the garden.


Twin pieces in our bedroom looking out at the Bougainvillea. I am fascinated by the color and movement which makes it difficult to get out of bed...

The bougainvillea is one of a few representational pieces I have created. The majority of my work is nonrepresentational, abstract, with an emphasis on color, line, and shape. I have fit glass into window frames, hand rails, and free hanging without frames, all are very pleasing.


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Special treatment for our handrails.

Handrail - blue to green

The last two of eight pieces designed around the color spectrum in a deck and ramp handrail.

Blue green handrail

Handrail - green

Each piece is centered on a six-foot section.

Green handrail

Amber rail glass

Amber red rail glass


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Assorted applications


Gate glass

Front gate entry way.

Hallaluyah bedroom glass


Two of the proposed four windows in our bedroom.
The window on the right was completed the week my mother died, 7 30 2011.


Ironically modeled after Melissa's dread of the triptych boards Sarah Rose had to create in school, we designed these, more appealing triptychs to capture and diffuse candle light. I light the candles every night, I must confess, these could be among my favorite pieces.



After creating the small and large candle screens, I saw an opportunity for a mid-sized triptych and this is the result.

Our Hannukiah brings us hope in the darkest time of the year.
Ryan designed and built the frame for the glass. Yes, we do love him.




After about 35 years, I took a stained glass class with Julia, Melissa's mother, at the Coronado Adult School. We were restoring our home and living with my mother, Cecelia in Coronado. There were eight meetings scheduled, I made it to three. Life! A year later, Ann, Melissa's sister was going to come over and work on glass. She never made it over, but I got every thing set up and finally finished this piece I started in the class, a year earlier. Persistence pays off and I have thoroughly enjoyed all of the subsequent work.

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Living (Eternal) Walls

I collaborated on the design of the piece below with a very talented friend, Ryan Turner. He applied my idea and my appreciation for sustainability by using materials that will last and require a minimum of maintenance. We showed the piece when our house was featured on the South Park Old House Fair tour June 2011. We enjoyed many favorable comments and interest.

Eternal wall

Eternal wall detail

Eternal Wall - Full Size [left]
Details [center and right]

Eternal wall detail

This eternal wall is made of Trex and copper with stained glass. This 4' x 6' version contains LED back lighting and a built-in irrigation and drainage system.

Eternal wall - mahagony

This eternal wall is made of mahogany and copper with stained glass. This 3'6" x 3'6" version contains LED back lighting.


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